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Sculpture 'Goddess Ganga',12th century "Beauty and Art "

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#Peraraph  ifferences in form, evidence, emotion, beauty, and planning. Similarity is the breaking of the colour, and this is a picture of the sixfold.                       Rupa – structure according to the value and proportion of shape, Bhava – the expressions of the figure, Lavanya – inclusion of beauty in the creation of form, analogy – similarity with the original object, Varnika Bhang – systematic combination of different colours.  #Introducing In Indian art, beauty has been considered the soul of art and beauty has been called bliss. Art and beauty have always had a companionship relationship, both exist together. A work of time which does not have beauty cannot be kept under art. The beautiful creation of black ink is considered as art. Thus, in art, form, pleasure and expression are the factors of beauty and vigor, sweetness and pleasure (simple- comprehensive) are the three qualities of expression. Melody is related to the feeling of happiness and mental brilli
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Prushakrti ko ghere chea stry gayikaye mandlakar (Tiger- 'Six female singers in a circle surrounding the male figure')

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(Figure 19) Tiger- 'Six female singers in a circle surrounding the male figure' Today we can see copies of the above paintings in a barahadi of 'Gujri Mahal of Gwalior Fort'. 1)    Formation period of Bagh Caves The Bagh Caves are among the best examples of the Gupta period and their painting style is the basis of the Ajanta style. There are many controversies related to the construction of Bagh Caves, due to which it is very difficult to determine the different periods of creation of these caves, because the stone of the rocks here is also very soft, due to this, writings could not be engraved on it, nor Stone ornamentation and sculpture would have been possible and ultimately painting would have been the most suitable medium of expression. The painted evidence has also unfortunately been destroyed, only the letter 'K' is written in these caves. Art historian 'Vincent Smith' has considered the time of painting of these caves to be 626-628 AD
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Nrratagaye Or badikaye 'Dancers and Musical Instruments'

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(Figure 18) Bagh – 'Dancers and musical instruments'          paintings. status of tiger caves The tradition of Indian paintings is represented in the art of Bagh after Ajanta. Bagh Caves are situated near the Vindhyachal mountain range in the ancient Gwalior state, near a village named 'Bagh', 2-3 miles away from the Bagmati (Baghini), a tributary of Narmada. Are. Probably this is the reason why these caves would have been named Bagh. There is also an ancient temple of 'Bagheshwari Devi' here. Local people also call these caves by the name of Panch- Pandu (Five Pandavas) caves. Presently these caves have Step   #1. Introdection    Five scenes: The fifth scene is of dancing girls and gardens. There are two groups mentioned in it. In the first group, seven female dancers are engrossed in dancing around an eighth male figure. Men are also displayed attractively in Tya Mudra. The painter seems to have combined the division of floors in the entire compos
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Udti Hui Apsara

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                  Udti Hui Apsara              Hi, I am shalini again hair along with a new painting story of ajanta caves.  1.Introduction     = "Udti hui apsara" (1) Place of women: In the paintings of Ajanta, women have been depicted as symbols of shyness, affection, affection and modesty. Women have been depicted in the forms of beloved, queen, widower, princess, housewife, village dancer, hostess, old woman, apsara, girl, mother etc. The painter has depicted her as a principle of beauty on the basis of slimness of her body parts, sharp features and emotional markings. His appearance is everywhere attractive and glorious. In none of the pictures has he been shown as humble, indecent or inferior. The divine radiance in his eyes and the shape of his body are visible in the proportions of each of his lines and markings. Due to this, her naked form is not of western sensuality but is depicted with shyness and motherhood. (2) Hand postures, body parts and expre
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Marranasan Rajkumari

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            Marranasan Rajkumari.       Hi, I am shalini adiwashi with another story.   Cave no. Ten.  Ajanta caves Portroyal of women, compileted by Subramanian Swaminathan .This painting is femous by the neme of Marranasan Rajkumari. In which the courts of compassion in the painting.The elite women has a hunge of the head.The uncharted elder and the constant organs. A maid behind her is raised by holding her. The second maid is keeping her hand on  chest  of body and the other hand is looking at the testing is the nervs  of princess. The  face expresion of maid is serious and fearless of quen of the death.  Another maid is  Fan shaking. Below are the other gentlemen on the land that has abandoned the hope of the prinsess life And crying is started  in a gruoup. A wonen is crying to hide her face. a old person in White cap starding at a voginal  conference . The second is sitting  behind of a pillares. This woman is no one but the Buddha's brother 's  'nand ' wife sund
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Do Anguthe Bali Ramadi

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 Do   bayen anguthe  bali  Ramdi    Hi,   I am shalini again heair  along with new painting story from ajanta caves. 1. Introduction  =  painting number    13 "Do banye anguthe bali ramadi "  In cave number 2. The caves right side emulsion of another piller is a Rarey fashinable  from the border of the border which is left of leg foot put on the pillar  and the hips or beck site upper of the body  lean on a pillar .  Say's by Mr. Radakrishna this painting is wonen' mahaprajapati devi' who's  God's bhagwaan bhuddha s mother. In this painting , the painter has made the two fingers of both feet that's by this painting called "Do unglio bali ramadi".                                 Shalini adiwashi
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udti hui gandharv apsraye

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         Udti Hui Apsharae and indrr ka Ankan (1) Drafting: If Ajanta is called 'mine of drafting' then it would not be an exaggeration. To decorate the caves of Ajanta, to fill the empty spaces, artists have painted designs similar to the paintings related to Lord Buddha on the main entrances, roofs, pillars etc. of the caves. Not only this, drawings with decorative touches have also been made on clothes, crowns, jewelery etc. as per the need. In these drawings, the painter has used beautiful forms, animals, birds, flowers and creepers, in which monkeys, Taurus, Pisces, Capricorn, deer, Mahisha, swan, parrot and duck have been depicted with their natural freedom. (2) Crowns, jewelery and clothes Crowns, jewelery and clothes have also been beautifully depicted in the paintings of Ajanta. There is a special difference shown in the height of the crowns of the king and the queen. The crowns of the gods and great men have been made as high and grand as a peak. For e
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